His fiend-Like Queen” is Malcolm’s View of Lady Macbeth at the End of the Play Essay

Act 1 Scene 5 is the first scene where you see Lady Macbeth. In this scene we are told a lot about Lady Macbeth’s character and her relationship with husband, Macbeth. The scene opens with Lady Macbeth reading a letter from Macbeth, which brings our attention to two main points. Firstly, Lady Macbeth is literate, which was very unusual at the time and tells us that she may be a well-educated character. Secondly, it shows us that she is very close to her husband; it wasn’t a common thing to write to your wife from the battlefield because many generals didn’t have the time, but Macbeth has made the time to do this. The content of the letter also shows us a lot; Macbeth tells his wife everything that happened to him in his encounter of the witches, which shows us that he is able to trust his wife. In the letter Macbeth tells his wife that the witches said, ‘Hail King that shalt be!’ When Lady Macbeth reads this her thoughts, just like Macbeth’s, jump straight to murder: ‘that which rather thou dost fear to do/Than wishest should be done.’ Lady Macbeth is determined that Macbeth shall be king and never actually mentions what she will gain from this, ‘Glamis thou art, and Cawdor, and shalt be/What thou art promised.’ Lady Macbeth appears to know her husband well, ‘†¦yet do I fear thy nature, /It is too full o’ th’ milk of human kindness.’ This also tells us a lot about Lady Macbeth herself; even after Macbeth has been on the battlefield killing hundreds, most people would see the fact that he could come home and be kind as a great thing, but Lady Macbeth sees this as his weakness. This is thinking very much like the witches ‘foul is fair, and fair is foul.’ Lady Macbeth’s character has many attributes, which may be associated with evil and which is, in turn, part of the witches’ characters. The first of these is the fact that Lady Macbeth is very manipulative: ‘That I may pour my spirits in thine ear.’ She speaks of ‘the Raven’ which is a bird associated with death. When she hears that Duncan will be coming to the castle she immediately thinks that this is the perfect opportunity to kill him, she refers to ‘the fatal entrance of Duncan.’ She calls to the spirits for help: ‘Come you spirits / That tend on mortal thoughts, unsex me here†¦. make thick my blood, / Stop up th’ access and passage to remorse†¦. Come to my woman’s breast/And take my milk for gall,’ In this speech she is asking the spirits to take her womanly tendencies away from her so that she is able to kill Duncan without feeling remorse and without those feminine feelings or attributes that may weaken her. In Shakespeare’s time witches were linked with the devil and gave away their femininity when they linked themselves to him, therefore when Lady Macbeth willingly asks for her feminine characteristics to be taken from her own body, she links herself to the supernatural, and therefore the witches. The speech also tells us that Lady Macbeth doesn’t believe that she is normally able to kill someone; she thinks that this is the only way she will be able to do it and is trying to convince herself that she is evil throughout the scene. What is said in this speech is very similar to the one Macbeth makes, when he asks himself to not think about the treason and murder he is committing. This makes another link between Macbeth and his wife when Lady Macbeth says: ‘Come thick night/And pall thee in the dunnest smoke of hell’. This line shows us a lot, first that it reflects Macbeth’s, ‘Let not light see my black and deep desires’. The fact that she speaks of night links her to the witches, since night is the witches’ element. This line also links her subtly to the main dark themes of the play. Lady Macbeth has a very strong character and is very controlling, which was a characteristic uncommon at the time: ‘†¦and you shall put/This night’s great business into my dispatch.’ She is taking everything into her own hands and seeing all the opportunities she has at that moment, but is failing to see further than that, to the consequences that may come about from her actions. In this scene Lady Macbeth does come across as having an evil nature. She is manipulative and is able to think about killing someone without much second thought, as well as able to link herself to the supernatural and destroy her feminine body in search of a greater power. In scene 6 Duncan arrives at Macbeth’s castle in Inverness. In this scene the first thing the reader realises once you have read it is the dramatic irony in it; Duncan says ‘ The air / Nimbly and Sweetly recommends itself/Unto our gentle senses’ and is talking about how nice the castle is when he is in fact very unsafe at Macbeth’s castle. This scene is also a very good example of Lady Macbeth’s deceiving abilities; she is ‘sweet-talking’ Duncan and being kind, ‘All our service, /In every point twice done then doubled’ and ‘To make their audit at your Highness’ pleasure’: she is being the perfect hostess. She is almost over doing the acting in the way she is flattering him so much, ‘Still to return your own’. Lady Macbeth is very two faced and hypocritical in this scene ‘We rest your Hermits.’ She is taking up Duncan’s reference to prayer, ‘How you shall bid God ‘ild us for your pains’, and this is hypocritical because of the prayers that she made to the ‘spirits/That tend on mortal thoughts’ about taking away her womanly aspects. Scene 7 opens with Macbeth contemplating the plan to murder Duncan. He comes up with three strong reasons why he shouldn’t kill him: ‘First, as I am his kinsman and his subject, /Strong both against the deed; then, as his host,’ but there is still a present desire to be King. Lady Macbeth then comes into the scene and does not like what Macbeth is saying. She starts by putting him ‘on the back foot’ by answering his questions with more questions: ‘Macbeth: How now? What news? Lady Macbeth: He has almost supped. Why have you left the chamber? Macbeth: Hath he asked for me? Lady Macbeth: Know you not he has?’ This is where Macbeth tries to take charge and tells lady Macbeth ‘[They] will proceed no further in this business’ and he tells her that he is happy, ‘I have bought/ Golden opinions from all sorts of people’. She doesn’t take this into account and starts attacking. She starts by emotionally black mailing him, questioning his love for her, ‘Such I account thy love’, asking that, if he says that he wishes to be King and then take it back, how can she trust that he really does love her when he says it. She then attacks his ego, suggesting he is a coward even after he has come back from killing thousands of people on the battlefield: ‘Wouldst thou have that/Which thou esteem’st the ornament of life, /And live a coward in thine own esteem.’ She compares him to the cat, which would never go for the fish, ‘Like the poor cat I’thage?’ She is asking him a rhetorical question, putting the thought into his head that he has the desire but not the guts to seize his dreams. She then attacks his manhood: ‘What beast was’t then? That made you break this enterprise to me? When you durst do it, then you were a man; / And to be more then what you were, you would be so much more the man.’ Then to prove her point further, and show us the length she is forcing herself mentally to convince herself she is truly evil, she presents this horrible image: ‘How tender’tis to love the babe that milks me-I would while it was smiling in my face Have plucked my nipple from it’s boneless gums, and dashed the brains out, had I so sworn as you have done.’ After this Lady Macbeth manages to sway Macbeth back to the murder with her certainty: ‘Macbeth: If we should fail? Lady Macbeth: We fail? But screw your courage to the sticking-place, And we’ll not fail.’ She is almost mocking him with the ‘we fail?’ making him feel small with the suggestion of it. Then she asserts her control over him again with ‘And we’ll not fail.’ She then shows us how she is a practical by explaining her plan to Macbeth; ‘His spongy officers, who shall bar the guilt / Of our great quell?’ This speech really convinces Macbeth to go through with the murder and proves once again that, at this point, Lady Macbeth really does have control over Macbeth. This scene shows that Lady Macbeth has many evil traits; she is manipulative and controlling. She is also a very practical woman with her plan. Act 2 Scene 2 opens up with a short soliloquy from Lady Macbeth and the content of this soliloquy is quite contradictory; whereas in Act 1 where Lady Macbeth comes across as very confident, here she says ‘What hath quenched them hath given me fire’ suggesting that maybe she isn’t a naturally confident person and is trying to be. She comes across as being nervous and jumpy, ‘Hark! Peace! It was the owl that shrieked.’ She lacks confidence in her husband: ‘Th’ attempt and not the deed Confounds us.’ Just from hearing Macbeth say, ‘Who’s there? What ho!’ she jumps to the conclusion they have failed in plan. Next we see a whole new side to Lady Macbeth ‘Had he not resembled My father as he slept, I had done’t.’ This is proof that maybe Lady Macbeth has a heart and is not the cold heartless person she tries to make herself out to be. This is also an example of her stupidity; she doesn’t make the connection between what she says and what she does. Lady Macbeth isn’t a very understanding woman, another sign that she isn’t very clever: when Macbeth comes in he is traumatized by what he has just done, instead of Lady Macbeth being caring and understanding she gets angry at him, ‘Why did you bring these daggers from the place? They must lie there. Go carry them, and smear / The sleepy grooms with blood.’ When Macbeth looks at his bloody hands and says, ‘This is a sorry sight.’ Lady Macbeth replies with ‘A foolish thought, to say a sorry sight.’ That is also a sign of her practicality she is trying to get Macbeth to not dwell on his thoughts. Then there is also another sign of nervousness between them both with the short exchanges when they first meet: ‘Macbeth: When? Lady Macbeth: Now. Macbeth: As I descended? Lady Macbeth: Ay.’ Lady Macbeth isn’t very understanding at all of what her husband is going through and tells him, ‘Consider it not so deeply.’ In act 2 scene 3 we see examples of Lady Macbeth’s practicality and ability to act. The scene opens with Macduff and Lennox entering, wishing to see the King and then finding him dead. Lady Macbeth enters and we see how her acting abilities are still strong, with her pretending she has no idea what has happened ‘What’s the business,’ and it comes across that she genuinely doesn’t seem to have an idea about what is going on. There is the irony of Macduff calling her, ‘O gentle lady,’ when earlier we are given these horrible images by her, ‘And dashed the brains out’. She then manages to keep up the charade by coming across as horrified by the death of the King, ‘Woe, alas! / What, in our house?’ Macbeth then enters and starts to give these flowery speeches: ‘The wine of life is drawn,’ and ‘his gashed stabs looked like a breach in nature’: when these are compared to the initial reaction of Macduff, ‘O horror, horror, horror!’ they appear to be prepared. Lady Macbeth can see this and sees how this is getting her husband into deeper trouble and she faints, drawing the attention away from her husband, another example of Lady Macbeth’s practicality and affection for her husband, she wishes to protect him. It is also possible that the vivid descriptions her husband has given, ‘His silver skin laced with his golden blood’, has really shown to her what they have done and the shock of this may have caused her to faint. It may have also been due to shock in the change of her husband, before this he was a wreck at the thought of what he had done: ‘I am afraid to think what I have done.’ now he is able to lie with apparent ease, talking about the man he murdered so highly, and the guards he murdered while they were still sleeping. She scared at what her husband has become. By the end of act 2 we have seen cracks in Lady Macbeth’s visage, she is not as strong as she believes she is and she lacks the imagination to see this. In Act 3 Macbeth is now King and Lady Macbeth is the queen. The scene opens with Banquo’s soliloquy, then the full royal court entering and Lady Macbeth greets Banquo with great gusto, ‘ If he had been forgotten, / It had been as a gap in our great feast’. After there has been much chatter between Macbeth and Banquo, Banquo leaves and Macbeth dismisses everyone including his ‘Dearest love’: before he was always with her and needed her opinion on decision and she was very much in control. Is this a suggestion that Macbeth doesn’t feel he needs her guidance now or is he trying to be the man Lady Macbeth tried to suggest he wasn’t? She must being feeling rather insignificant now and most probably hurt that after what they had just done that he could dismiss her like that. Act 3 scene 2 opens with Lady Macbeth asking permission to see her husband, ‘Say to the King, I would attend his leisure / For a few words.’ This is very strange because before Lady Macbeth would never have had to ask to see her husband. Does this mean she has lost the power she had over her husband and isn’t in control like she use to be? We then see that Lady Macbeth isn’t the evil person she made herself out to be; we see she is hurting from what has happened: †Tis safer to be that which we destroy, / Than by destruction dwell in doubtful joy.’ Macbeth then enters and Lady Macbeth forgets about her worries and starts trying to comfort Macbeth, ‘what’s done is done.’ But she isn’t taking her own advice, she is, ‘without content’. Macbeth then talks about his torment and uses this vivid imagery, ‘O full of scorpions is my mind,’ Macbeth then drops hints that something is going to happen, ‘there shall be done / A deed of dreadful note.’ In this same speech Macbeths also uses the imagery of creatures associated with evil and death: ‘The shard-borne beetle’ so we can assume he is talking about the plan to kill Banquo. Lady Macbeth is properly feeling very confused at this point, before Macbeth included her in all the discussions and now she has no idea what he is talking about, ‘What’s to be done?’ So by the end of this scene we have truly seen the soft and ‘feminine’ side to Lady Macbeth: we have also seen the first signs of her coming collapse. We have seen examples of her love for Macbeth by casting aside her own worries to try to look after him. The first key point about Act 3 scene 4 is the notable change in Lady Macbeth’s behaviour. In Act 1 she was very welcoming and talkative with her guests coming across as being a strong character but is this scene she has lost this strong visage, she has to be prompted to welcome her guests, ‘Our hostess keeps her state, but in best time / We will require her welcome.’ After this though we are able to see some of Lady Macbeth’s old characteristics, when Macbeth is distracted with talking to the Murderers, Lady Macbeth notes that he is away too long and reminds him he is holding a dinner, ‘You do not give the cheer,’ an example of her practicality. Soon after Macbeth he rejoins the dinner he mental state deteriorates, when he sees Banquo’s ghost. Lady Macbeth steps in here with her practicality and tries to bring her husband back while passing off his madness as having some sort of fit: ‘My lord is often thus, / And hath been from his youth’ She is finally able to bring him back by attacking his ego again by repeating the line, ‘Are you a man?’ She is then fairly harsh to Macbeth mocking what he said earlier in the play, ‘This is the air-drawn dagger which you said / Led you to Duncan.’ We see her lack of imagination, ‘You look but on a stool.’ She is still unable to understand why Macbeth is suffering. Lady Macbeth is then able to bring Macbeth back to reality, where he starts acting normal but then mentions Banquo again, this sets Macbeth off again as the ghost reappears and he goes mad. Lady Macbeth steps in once again with her practicality and gets rid of the court so she can attend to her husband and before he is able to say to much about the murders, ‘Stand not upon the order of your going. / But go at once.’ When the rest of the court has left, Lady Macbeth changes: her answers become short. At some point she must have realised what Macbeth had been seeing, changing how she was. Is her quietness a response to what Macbeth has become? She believed that this would only take one murder, and now Macbeth has murdered four times. She must be feeling scared, before she was very much in charge and now Macbeth is fully in control and not asking her opinions. There is already the idea of another murder in his head: ‘Strange things I have in head, That will to hand; / Which must be acted ere they may be scanned.’ By the end of this act you can see Lady Macbeth is scared and she has lost the control she had over her husband. She isn’t the strong character she was in Acts 1 and 2 only her practicality is left. Act 5 scene 1 is when Lady Macbeth has finally gone mad. Shakespeare gives little indication of time in the play, but from what we can gather a fair amount of time has passed, and over this time we can tell that he mental state has deteriorated. The scene starts off by telling us that Lady Macbeth has been sleeping walking and going through the routine of writing a letter, then reading it. I believe this refers to the letter she received from Macbeth about the witches; the letter which started the whole affair off. I think that subconsciously she is wishing for everything to go back to that moment so none of this ever happened. She enters sleep walking carrying a candle and the gentlewoman says that Lady Macbeth has, ‘light by her / continually, ’tis her command.’ This is ironic because earlier in the play Lady Macbeth says, ‘pall thee in thy dunnest smoke of hell.’ So after wishing not to see the light she can’t bare to be without it. There is then more irony in this scene, ‘Out damned spot, out I say!’ she is unable to wash the blood from her hands and to Macbeth earlier she says: ‘A little water will clear us of this deed.’ She almost repeats Macbeth’s, ‘Will all great Neptune’s ocean wash this blood / Clean from my hands?’: with ‘the smell of the blood still; all the perfumes of Arabia will not sweeten this little hand.’ We can see now that she always did understand what her husband was saying, but on a subconscious level: she lacked the imagination to understand when conscious. Earlier in ‘Macbeth’ Lady Macbeth asked: ‘Come thick night / and pall thee in the dunnest smoke of hell,’ and now she says, ‘Hell is Murky.’ It appears that she is now in her own hell and it is terrifying. Throughout the scene there is more imagery of blood, we have Lady Macbeth mocking Macbeth about being upset about killing Duncan, now she is saying: ‘Who would have thought the man has so much blood in him.’ At first she acted as if she was fine and didn’t have a conscience, we now see that everything had built up and has been affecting her: ‘The Thane of Fife had a wife; where is she now? What, will these hands ne’er be clean?’ She is even suffering for the murders she had nothing to do with. After reading ‘Macbeth’ and carefully analysing Lady Macbeth’s actions throughout I think we are able to feel some pity for Lady Macbeth. I think she can be blamed partly for the Tragedy of ‘Macbeth’ because she did push her husband to commit the murder, but we do not fully see what her motivation for this was. My view is that she was mainly doing what she thought her husband deserved because it is obvious through the play that she is deeply in love with Macbeth. Also taking into consideration the time the play is set was it not Macbeth’s place to stick with what he originally felt and tell her that they would not murder the King? I think pity grows towards her as the play goes on; as the reader you can see a change in her character, which quite clearly shows us that she never intended for Macbeth to become the’evil tyrant’ he did become. Another reason for her to be pitied is that you can see she is in pain and suffering but she ignores this to try and comfort her husband who is more open about his suffering. This drives Lady Macbeth crazy in the end, and the idea that she died because of her love for her husband is tragic. This is why I think Malcolm’s view of lady Macbeth, ‘His fiend-Like Queen’ is unfair towards her and that it was Macbeth’s place to have put a stop to the murder which eventually led to both of their deaths.

Being a teen to being a toddler Essay

When I was a kid, I always admired all the extravagant and out of this world thing that teenagers able to do. And all I wanted to be is to be a teenager. And as the year goes by, I got more excited, because I was getting closer to be a teenager. And now I am a teenager, I wish I could be a kid again. It is quite funny how my opinion changed that fast. Here is what I figure out are the differences and similarity between being a teenager and being a kid. Being a teenager is one of the toughest and most memorial processes in your lifetime. A teenager goes through many pleasant times and depressions. They go through the pleasant times just like the kids does, but the kids don’t really go through depressing times. The teenagers can be depressing over either losing a friend, got bullied, loneliness and low self confident. When I was a little kid, I was allowed to do anything that I wanted to do. I can go outside, play with my friends all day long and everyone likes you. Being a kid was fun, you never had to worry about having any hard works or having a test the next day. Life was just like a wonderland. But for teenagers, you will have to go home fast after school and start to do homework and review for the test. Every year that passed, as a teenager, my parents will give more freedom like how they allow me to go outside with my friends unlike when I was a little kid. I always wanted to go outside to the playground and play with my friends but sometimes when I ask my parents they would either say, â€Å"Well, what did your father say,† or, â€Å"What did your mother say.† And if one parent said no, then everything will be no, no matter how hard you try to convince them. Now when you become a teenager, most parents will say yes, there is less percentage that they would say no, unless it’s a special case like going to the club and more. So what I analyzed is that parents trust you more when you grow up, because as the time goes by, you will eventually become more mature and you will know what were right and what was wrong.

Analysis of Report to Wordsworth

The following lines are significantly symbolic, as the words ‘sky slowing’ can be interpreted as the world itself turning much slower than before, the life and vibrancy leaking out of it. The reference to a ‘dying clock’ may make the reader believe that nature has very limited time remaining and that death is at its doorstep. ‘Smothered by the smog’, this line refers directly to, I believe, the harmful smoke and gases that spoil our air, literally smothering us. This description has the impressive effect of creating a feeling of suffocation, accurately reflecting the idea that is trying to be communicated. References to the great ancient Greek gods of the seas, Proteus and Triton create an incredible effect, notably the one that depicts two of the most powerful beings in existence struggling and suffering at the hands of man. ‘All hopes of Proteus rising from the sea have sunk’, this direct allusion to the tons of pollution man creates is particularly strong as it sends a message along the lines: our oceans are so polluted even the sea god is forced away. Triton’s notes struggle to be free†¦horns are choked, his eyes are dazed’ The idea of man being able to cause such suffering to the gods themselves emphasises all the more the idea of them causing massive destruction to nature. ‘Neptune lies helpless as a beach whale, while insatiate man moves in for the kill’; the adjective ‘insatiate’ depicts man as being merciless and cruel. The following lines may be interpreted from the point of view of poets, who often sit and write of what they see around them, watching the ocean, or wide fields of green countryside. They are now failing as these things that were once so beautiful are slowly being destroyed. Cheng here presents an interesting image, notably that of a ‘wound widening in the sky’, which personally makes me think of our ozone layer getting worn away by pollution, leaving the world at mercy. There is also here a discreet allusion to the poem Composed upon Westminster Bridge, the poem by William Wordsworth (Cheng’s poem is a response to this particular piece of work). God is labouring to utter his last cry’ is, I find, the perfect ending to the poem, as it once again alludes to God himself struggling against what man has caused to the world. The poem’s tone is considerably morose, along with a rhythm that I would compare to a funeral march. The atmosphere is quite deep and the voice could be that of surrender, as the poet does not indicate any possibility of mankind being capable of turning this situation around. I feel that this poem can be morally challenging and is very successful in making us understand the gravity of the world’s condition. Analysis of Report to Wordsworth The following lines are significantly symbolic, as the words ‘sky slowing’ can be interpreted as the world itself turning much slower than before, the life and vibrancy leaking out of it. The reference to a ‘dying clock’ may make the reader believe that nature has very limited time remaining and that death is at its doorstep. ‘Smothered by the smog’, this line refers directly to, I believe, the harmful smoke and gases that spoil our air, literally smothering us. This description has the impressive effect of creating a feeling of suffocation, accurately reflecting the idea that is trying to be communicated. References to the great ancient Greek gods of the seas, Proteus and Triton create an incredible effect, notably the one that depicts two of the most powerful beings in existence struggling and suffering at the hands of man. ‘All hopes of Proteus rising from the sea have sunk’, this direct allusion to the tons of pollution man creates is particularly strong as it sends a message along the lines: our oceans are so polluted even the sea god is forced away. Triton’s notes struggle to be free†¦horns are choked, his eyes are dazed’ The idea of man being able to cause such suffering to the gods themselves emphasises all the more the idea of them causing massive destruction to nature. ‘Neptune lies helpless as a beach whale, while insatiate man moves in for the kill’; the adjective ‘insatiate’ depicts man as being merciless and cruel. The following lines may be interpreted from the point of view of poets, who often sit and write of what they see around them, watching the ocean, or wide fields of green countryside. They are now failing as these things that were once so beautiful are slowly being destroyed. Cheng here presents an interesting image, notably that of a ‘wound widening in the sky’, which personally makes me think of our ozone layer getting worn away by pollution, leaving the world at mercy. There is also here a discreet allusion to the poem Composed upon Westminster Bridge, the poem by William Wordsworth (Cheng’s poem is a response to this particular piece of work). God is labouring to utter his last cry’ is, I find, the perfect ending to the poem, as it once again alludes to God himself struggling against what man has caused to the world. The poem’s tone is considerably morose, along with a rhythm that I would compare to a funeral march. The atmosphere is quite deep and the voice could be that of surrender, as the poet does not indicate any possibility of mankind being capable of turning this situation around. I feel that this poem can be morally challenging and is very successful in making us understand the gravity of the world’s condition.

People at work Essay Example | Topics and Well Written Essays - 1250 words

People at work - Essay Example ACAS also helps the employees to resolve their workplace conflicts and offers them various services like mediation, conciliation and arbitration with their employers so that the employee gets the best services. There are mainly two areas where Andy requires advice: grievance related to work exploitation and insult; and threat of dismissal. Andy has genuine case of grievances. When ‘Whinnberry Clothing’ introduced new area of services and made Andy the sole person to manage the new line clothing which could be hired for special occasion, his service contract was not revised and he performed the new set of services without any helpers, while still continuing with the his previous duties. Apart from not having getting extra remunerations for the extra work, he was made to handle the huge and heavy packages single handedly at the great risk of his physical wellbeing and health safety which had indeed resulted in severe health problems which were deliberately not acknowledged by his manager. Another major reason was that he was also publicly humiliated by his manager when he refused to lift the heavy packages. The threat of unfair dismissal was another major area where Andy needed imminent advice and support from ACAS. Andy was earlier praised for making the new venture the successful and profit making but was not shown any consideration when he started having serious health problems due to hazardous nature of the work. Instead he was publicly humiliated and issued dismissal threat. The first step of grievance procedure that Andy must follow is to give a letter to his employers which would give a ‘stage 1 of statement of grievance(s)’ (emplaw.co.uk). This step is mandatory before the case can be put to employment tribunal. The step is designed to promote amicable settlement of grievances and dispute resolution with ‘out of court’ settlement, if any, between

Green Mountain Resort Assignment Example | Topics and Well Written Essays - 750 words

Green Mountain Resort - Assignment Example His style of managing change include his innate desire to do what is good for the future of the organization but that there are diverse factors, both internal and external, that are beyond his control. According to Palmer, Dunford & Akin (2009), change managers who are caretakers have â€Å"little influence over the direction of change† (p. 30); likewise, as a nurturer, he recognized the ability of the organization to facilitate projecting a positive self-organizing development, by harnessing the organization’s strengths. When Gunter aimed to address the turnover as a problem, he sought other sources of credible information to assist him in solving it through validating the perspectives of the hospitality literature and by seeking the advice of a consultant. As such, he did not impose any form of coercion or autocratic control to steer change; nor did he allow indifference to set in. As such, since it was initially noted that Gunter, as part of the initial management an d now, a property owner, he had genuine intentions for envisioning Green Mountain as a first-class mountain resort. The hospitality literature? The hospitality literature exemplified the image of an interpreter, by â€Å"creating meaning for other organizational members (such as Gunter), helping them to make sense of various organizational events and actions† (Palmer, Dunford, & Akin, 2009, p. 31). ... As emphasized, change managers as coach do not direct action towards members of the organization, but â€Å"relies upon building in the right set of values, skills and â€Å"drills† that are deemed the best ones that organizational members, as players, will be able to draw on adeptly in order to achieve desired organizational outcomes† (Palmer, Dunford, & Akin, 2009, p. 31). By treating turnover as an asset, instead of a liability, the consultant capitalized on the strengths of training that has been consistently accorded by Green Mountain personnel as a means for recruited personnel to develop enhanced knowledge, skills, and competencies in their areas of endeavors. As noted, the turnover issues or problem, as it was initially pegged, was dissolved; and therefore, there is no evident need to solve it. 2. How did these assumptions influence prescriptions for dealing with â€Å"the turnover problem?† These assumptions enabled Gunter to see the turnover issue from different perspectives and by seeing potentials for change using the six images, as proposed. When taking roles and images of change managers from these points of view, Gunter was able to turn what initially was identified as a problem, into an opportunity and as an asset and strength of Green Mountain Resort. In so doing, there was no problem to solve, in the first place, and instead, these assumptions opened a new way of seeing things, of thinking outside the box and thereby classified the scenario as a second-order change: where â€Å"the change interventions are directed at the solution† (Palmer, Dunford, & Akin, 2009, p. 42). 3. Choose another change image and apply it to â€Å"the turnover problem.† To what new

HUMAN RESOURCE MANAGEMENT Assignment Example | Topics and Well Written Essays - 750 words

HUMAN RESOURCE MANAGEMENT - Assignment Example In the job position the following things will be considered as vital: The title for particular job position Job responsibilities Critical success factors Official reporting link Supports, authority and assets needed along with accessibility for the job (Commonwealth of Massachusetts, 2009) Advertisement for Job Position After formulating the job description, there is a need to advertise for the job vacancy so as to inform the potential candidates regarding the job openings. Advertisement has emerged as a very significant and common basis for generating manpower in Human Resource Management practices. The advertisement for the post of nurse practitioner and medical records clerk will be given through online websites so as to reach a larger population or young candidates stating the specific position duties. It will be beneficial for appealing appropriate candidates for the positions. In the internet advertisements, the following information will be provided: A summary of job positions which includes fields of works and language requirements An explanation of obligations and accountabilities which classifies the major jobs to be performed by the employee The minimum qualification requirement for fulfilling the position such as educational certificates, special skills, etc The advertisement will be exhibited on one of the popular job websites named ‘careerbuilder.com’. The cost of advertising on ‘careerbuilder.com’ will amount to be around 390 USD/job. Thus, to advertise two posts for job advertisement the cost will be around (390?2=) 780 USD (Careerbuilder, n.d.). Selection Process The selection process will conducted in four phases, which are: Screening of Application Forms Before selecting employees, it is essential to lessen the candidates to a manageable amount. With this concern, the initial screening will be conducted with the application forms and resumes of the candidates. The accurate information will be assessed against the lea st adequate requirements with respect to job specifications. The statistical technique will be used for screening of application forms. After checking the measurable aspects of candidates, the reliability of candidates will be evaluated. Any gap during education years or any kind of indefinite information will be identified and followed up in the interview stage (Pattanayak, 2005). Testing After initial screening of candidates, tests will be conducted for evaluating the intelligence, aptitude and skills of the selected candidates. For the post of medical records clerk, aptitude test of candidates will be conducted with the aim of measuring their ability or underlying skills to absorb the given job responsibilities if adequate training is provided. For the post of nurse practitioner, achievement test will be conducted for assessing candidates’ pertinent capabilities. The achievement test will be applied to varied series of nursing tasks ranging from patient care to clinical ac tivities. The candidates will be selected on the basis of performance on those tests (Bernardin, 2008). Interview Interview will be conducted for measuring the profile of candidates and associating it with job appropriateness. Interview is widely

International Businesses And Knowledge Transfer Essay

International Businesses And Knowledge Transfer - Essay Example Focusing on this construct, the current discourse will be developed using theory and literature relevant to internationalization while focusing on the main factors driving or contributing to knowledge transfer and development as well as highlight factors, if any, that inhibit this process. An overall conclusion will be drawn based on the findings from the entire study before reflecting on the entire learning and relating the same to practical experiences wherever feasible.  Etemad (2013) stressed that literature points to numerous reasons why businesses decide to explore international opportunities that could be related to internal and/or external factors. Internal factors are usually related to organizational factors such as organizational goals and objectives; and external factors are related to the environmental drivers such as competition in host countries, the huge business potential in international locations/markets, changing workforce demographics and economic situations et c. Based on these factors, organizations adopt different approaches to establish their businesses in international spheres. Based on these approaches, various theories have been formulated to explain the nature and reasons of internationalization of firms, some of which include Vernon’s (1966) life-cycle theory, Johanson and Vahlne’s (1977) Process theories, Bilkey and Tsar’s (1977) innovation-diffusion theories, the internalization theories (Buckley & Cason, 1976) and the Eclectic paradigm of multinationals by Dunning (1988); the latest additions include two models: AAA-framework by Ghemawat (2007) and gateway-hub model by Prahalad and Bhattacharyya (2008).  Knowledge transfer is a part of knowledge management process, which has been comprehensively explained by Nonaka and Takeuchi (1994), and this forms the foundation of all knowledge-related studies in organizations Dalkir.

Philosophy of Justice Research Paper Example | Topics and Well Written Essays - 750 words

Philosophy of Justice - Research Paper Example Socrates was a mysterious personality, attributed as one of the originator of Western philosophy. He was a firm believer that justice is good, this could be attained through self-knowledge. It is imperative to understand what is good i.e. justice and what is injustice or evil. According to Socrates, natural needs are good. Good is always desired. The desire or the requirement to be satisfied varies with a person's nature called the daimon. It is exclusive to every person. Thus, in this scenario, it is the individual's knowledge that plays a vital role in deciding the good and taking the decision. If knowledge is enabling a person to apply for good, then knowledge is also good. It is knowledge that empowers a person to discriminate between good and evil. A wrong action is a direct implication of ignorance. Socrates defined four virtues viz. bravery, self-control, justice, faithfulness (Socrates: the Search of Justice). According to Socrates, retribution for the offense is the treatmen t for wickedness and justice leads to that penalty. A man who has done no erroneous is better-off than a man who has received retribution for his proceedings. Socrates pronounced that the just life is more significant than outside belongings. If one scale evil, first is the man who does incorrect and finds chance of escaping where as the man who does wrong comes second (Socrates: the Search of Justice). On the contrary Adolf Hitler was a firm believer of Bible. According to Hitler, "As a Christian I have no duty to allow myself to be cheated, but I have the duty to be a fighter for truth and justice". He said, "I believe today that my conduct is in accordance with the will of the Almighty Creator" (Brainy Quotes). These quotes imply Hitler's temperament towards justice. He defensible his battle for the people of Germany and in opposition to Jews by means of Godly and Biblical interpretations. In reality, one of his most enlightening declarations further enunciate this: "Hence today I believe that I am acting in accordance with the will of the Almighty Creator: by defending myself against the Jew, I am fighting for the work of the Lord." Apart from Socrates, who believed that knowledge plays an imperative role in judging and providing justice; Adolf Hitler was of the opinion that God and His preaching aids in interpreting and defining justice. Although, Hitler was always misapprehended as he never practiced religion in church (Hitler's religious beliefs and fanaticism). In today's scenario this holds true to some extent. Knowledge is powerful in making a person judgmental and to appreciate the truth and honest opinion. Beliefs related to religion and its preaching find little relevance in the epoch of technology. Justice is what is being followed as per the guidelines set by the organizations of the nations, any violation of these set norms is considered to be injustice. Knowledge and awareness about self and surroundings is vital in taking decisions. To some e xtent the saying "power corrupts" holds true as it is capable of changing the thinking of a common man about the justice in the present scenario. The dictatorship portrayed by Saddam Hussein is known worldwide. He was known for creating horror and terror of his personality against his own crew. He was known to be the greatest tyrants. He was a brutal killer and neither knowledge nor the

Congress, the bulk of work on legislation consists of what members do Essay

Congress, the bulk of work on legislation consists of what members do in committees - Essay Example Similar to the Senate, Congress has four major categories of committees; standing, conference, select, and joint committees. Standing committees are the most important as they deal with the vast majority of legislative concerns. Within each standing committee are sub-committees tasked with the responsibility of dealing with specific areas of a legislative issue; for example, the Ways and Means committee. Contrastingly, conference committees specifically deal with Bills, and comprise of members from both the Senate and Congress. By reconciling differences of members in the committee, conference committees are able to form a single Bill, which can then be forwarded to the President for his assent. Select committees are short-term in nature and are formed to deal with a specific issue when it arises; for example, Intelligence committee. Finally, joint committees resemble conference committees in structure; however, they are need-based; formed to address specific issues; for example, joi nt committee on taxation (Independence Hall Association). Committees wield a great deal of influence in the US legislature; as such, the majority party chooses the Chairman of each committee in the US Congress. However, it is important to note that all committees comprise of members from all political parties with representatives in the Congress. There is no specified criterion used by committees to choose its members; however, legislators earn their place based on political favors earned due to loyalty, power and seniority in the Congress. Due to this, legislators in Congress are always cautious of their dealings with each other, as they are aware failure to do so would cost them favorable committee assignments. The number of members serving in the various committees varies. Besides the Chairman, the Ranking Member also holds a high status in the committee. This position is reserved for the senior most member of the minority

DQ1 Comments NM and DQ Comments ST Assignment Example | Topics and Well Written Essays - 250 words

DQ1 Comments NM and DQ Comments ST - Assignment Example The federal government should create a universal health plan that provided service to all 310 million Americans. A non-profit organization should target athletes, movie starts, the doctors, and entrepreneurs that have income of over $250,000 a year. They would donate 20% of their net income to help finance the medical needs of uninsured people. DQ2) I agree with you that Mr. Hill violated his fiduciary duties. Companies can not use the money from one business to finance the operations of a separate business. Both companies are separate legal entities. He was so corrupt that he used his money to pay for expenses of his wives business. Illegal wire transfers of money were occurring on a recurrent basis. The owner had the board of directors on his pocket. They were like puppets brainwashed by Mr. Hill. The IRS should have been able to detect this fraud sooner because these people deserved jail time for their fraudulent financial activities. SEC regulations and the Sarbanes-Oxley Act were violated in this scenario. Section 404 of Sarbanes-Oxley was violated in this case study. SOX Section 404 mandates that all publicly-traded companies must establish internal controls and procedures for financial reporting and must document, test and maintain those controls and procedures to ensure their effectiveness.† (Searchsecurity,

Traffic Accident Essay Example for Free

Traffic Accident Essay Traffic accidents are considered modern problems which are causing enormous human and material losses to many people and resulting of them many temporary and permanent injuries and they cause enormous damages to the public and private properties. It is not an exaggeration to say that victims of the road accidents are more than the victims of wars and terrorist operations in the world. Some statistics indicated that the number of deaths resulting from car accidents were over (300) thousand people annually, and the estimated number of the injured people between the (10-15) million. Moreover, statistics indicated that the numbers of injuries in the United States alone were more than three and a half million yearly (Butler et al. , 1999). It is sad that (10%) of those injured people are children and the percentage of children who are exposed to injuries caused by traffic accidents in some countries might be increasing to reach more than (20%) as indicated in the Bulletin of Jordanian Traffic Institute. Some reports indicated that more than (300,000) children are exposed to injuries caused by road accidents in the United States alone (Hauschildt, 2002). What should be mentioned in this regard is that the victims of traffic accidents in the developing world countries are much more comparing with those in the developed countries as referred to in bulletin of the World Health Organization (Gender Health, (2002). All governments make efforts to reduce accidents and thus reduce their negative effects. It is unfortunate that the negative effects of car accidents are linked to the minds of many as material loss, pain and suffering physical disabilities only, but the psychological effects perhaps because of its disappearance of the human eye wasnt paid attention to and was ignored by many other people even by those who linked to researchers in the third world. It is logical that physical injuries and some psychological symptoms resulting directly from the accident receive priority in care and attention, but scientific researches confirm that some of the road accidents or those who witnessed them could show that they subsequently cause psychological disorders which may develop into severe symptoms (Butler et al. , 1999). Although the injured in traffic accidents may receive some kind of social support of their natural resources like relatives and friends in attempting to ease the negative effects resulting from traffic accidents, there are things we must draw attention to, which are: I.  All the people who were exposed to such incidents do not receive the appropriate degree of support. II. Ordinary people had been unaware of the type of the appropriate or desired social support for the victim (of an accident). III. Professional specialists have the necessary knowledge to monitor the indicators or symptoms which may be hidden from ordinary people, or difficult for them to interpret, especially in the light of the available knowledge. Although many of the symptoms resulting from traffic accidents do not appear immediately after the accident. It should be noted here that psychological wounds which inflicted on those who are exposed to traffic accidents may stay with them for a long time even after physical injuries heal. Perhaps the reason behind some athletes not recovering to their previous levels of performance before their exposure to an injury is psychological wounds are not less damaging than physical injuries; they even might be more serious in their effects. It is striking that the insurance companies in the developed countries pay profitable compensations for the effects of psychological wounds resulting from car accidents (Butler et al. , 1999). In this context, traffic accidents partially result of violations committed by an individual who hurt another individual or group of members of the society. Perhaps the gravity of the dangers of traffic accidents increases the awareness and stimulates efforts to alleviate the psychological effects. Accidents cause numerous physical and moral losses reflected on the drive r and society alike, represented in human losses up to death of the driver himself or a member of his family or his\her entire family. The losses may fully exceed in one accident to several persons or a family, and the driver remains alive. There were losses that reached cutting one of the organs or an injury that caused the driver a permanent disability. All of this would deeply generate painful psychological disorders and wounds, such as psychological trauma, depression and excess irritable emotions and loss and lack of concentration at work, thus we can sum up the problem of the study that there are psychological disorders and problems resulting from traffic accidents of the 3rd category private license drivers who are responsible for traffic accidents. The importance of this study could be formulated in the following: First: The theoretical aspect: The issues of traffic accidents and what these accidents backward of damages considered from the humanitarian issues affecting society feelings and leaving deep wounds in the human soul. The results of traffic accidents are not only confined to the participants in the incident only, but to the whole society, whether the psychological, social, human and economic level.This research is considered a serious attempt to shed light on the psychological disorders suffered by the driver, who cause accidents.  Second: the practical aspect: Access to results that help to reduce traffic accidents results on the human psyche. This research paves the way for the subsequent researches in different and divers environments, cultures and variables. The following nihilism hypotheses have been formulated to answer in this study: I. There are no statistical differences between traffic accidents and psychological trauma for the drivers who are involved in the traffic accidents from the holders of 3rd category-private driving license. II.  There are no statistical differences between traffic accidents and a state of depression among the drivers who are involved in the traffic accidents from the holders of 3rd category-private driving license. III. There are no statistical differences between traffic accidents and cases of nervousness for the drivers who are involved in the traffic accidents from the holders of 3rd category-private driving license. IV. There are no statistical differences between traffic accidents and the lack of concentration at work for the drivers who are involved in the traffic accidents from the holders of 3rd category-private driving license.

Is Social Networking an Effective Marketing Tool Essay Example for Free

Is Social Networking an Effective Marketing Tool Essay Marketing Strategies Many businesses have started to incorporate market strategies as a way of increasing profitability. Small business can create market strategies to target their market more effectively and have a competitive edge over competition. Lyndon Simkin, (2000) stated â€Å"If the â€Å"right† opportunities are pursued, customers are properly probed, the â€Å"right† customers targeted with a marketing proposition designed to give a business an edge over its rivals, it is highly likely that customers will be satisfied, market share will rise in core target markets and profitability will accordingly support a viable future. † Having a strategy in place will allow you to set objectives such as increasing your share of the market that your business currently is in. Market strategies for small businesses are to develop the growth of the company. Analysing you target market and introducing a way in which you can target this market. The following are how marketing strategy allows business to set objectives Current product/current market Market penetration is a strategy of increasing your share of existing markets. You might achieve this by raising customers awareness of your products and services or finding new customers. Current product/new market Market development is a strategy of finding and entering new markets with your current product or service range. The new market could be a new region, a new country or a new segment of the market. New product/current market Product development is a strategy for enhancing benefits you deliver to customers by improving your existing products and services or developing new ones. New product/new market Diversification is a strategy that usually carries high costs and high risks. It often requires firms to adopt new ways of doing business and so has consequences far beyond simply offering new products/services in a new market. It is therefore usually a strategy to be adopted when other options are not feasible. http://www.is4profit.com/business-advice/sales-marketing/marketing-strategy.html Marketing Tools Online There are many marketing tools available for businesses to use and utilising the best one to fully create brand awareness for your product is vital. Geoffrey J. Simmons, (2007) realises â€Å"Companies are finding that they are having to redefine their marketing and branding strategies due to the unique characteristics of the internet and its capacity to change old rules.†. Due to the growth of users using internet, marketing tools have been developed so that businesses can market their products online. Marketing online has been as an important way for business to create brand awareness and target customers effectively. Online advertisement is now seen as the most effective way of marketing therefore many different ways have been introduced to advertise on the internet. Amalesh Sharma, (2011) stated â€Å"The development of data intensive instruments, transformation of societal and relationship management, optimization of Search engine marketing, exclusive networking and other online resources are eliminating the traditional form of marketing.† Search Engine Optimization Marketing Search engines are seen as essential way of companies to be seen by potential customers. Kristin Kennedy, Bonnie Brayton Kennedy, (2008) stated â€Å"The key to being found by the right people at the right time lies with search engines. There are essentially two ways a customer will find a business site via a search engine, through an organic or a pay-per-click (PPC) listing.† Using a search engine you are allowing yourself to be found new customers but search engines don’t offer differentiation so many of your competitors can be listed alongside you therefore not giving your business the competitive edge. Search engine optimization can be a less effective way for small business as it is marketed alongside big companies which was found out by Kristin Kennedy, Bonnie Brayton Kennedy, (2008) they stated a â€Å"small manufacturer of gold jewelry will probably not get top billing over Tiffanys on the organic list, unless they spend a significant amount of time and money o n developing their web site design and advertising.† E-mail Marketing Small businesses have been using email marketing as a way of marketing their products and reaching out to the target market. Anita Jackson, Ray DeCormier,stated â€Å"E-mail offers a promising tool to enhance brand loyalty as it helps marketers keep in touch with their customers on a regular basis at low cost.† Small businesses are using this method to create and reach out to their target market. Using this mthod to market their business and product to create more brand awareness. http://www.emeraldinsight.com/journals.htm?issn=0263-4503volume=17issue=3articleid=854456show=html http://www.emeraldinsight.com/journals.htm?issn=1061-0421volume=13issue=7articleid=857868show=html http://www.emeraldinsight.com/journals.htm?issn=1751-5637volume=12issue=4articleid=1937676show=html Do you feel other ways of online marketing would benefit your company more? http://www.emeraldinsight.com/journals.htm?issn=0263-4503volume=18issue=3articleid=854495show=html ) Lyndon Simkin, (2000) (http://www.emeraldinsight.com/journals.htm?issn=0263-4503volume=25issue=6articleid=1628110show=html#idb72) Geoffrey J. Simmons, (2007) .†( http://www.emeraldinsight.com/journals.htm?issn=1751-5637volume=12issue=4articleid=1937676show=html ). Amalesh Sharma, (2011) Kristin Kennedy, Bonnie Brayton Kennedy, (2008) (http://www.emeraldinsight.com/journals.htm?issn=0140-9174volume=31issue=10articleid=1746719show=html)

Hip hop music

Hip hop music Muziekstijl 20e eeuw HIPHOP Voorwoord Ik heb voor de muziekstijl hiphop gekozen omdat ik vind dat hier de laatste tijd de meeste aandacht naar uitgaat. Ik wil graag weten hoe de hiphop, rappers en alles eromheen was ontstaan en hoe dat is uitgegroeid tot de hiphop die we nu kennen. Geschiedenis van Hiphop. DJ Kool Herc Het hiphop verhaal begint met Kool Herc, een immigrant van Jamaicaanse afkomst. Op buurtfeesten (blockparties) intorduceerde hij het Toasting. Hij rijmde over de reggae muziek heen. Hij gebruikte hierbij twee draaitafel waarmee hij wisselde tussen verschillende liedjes, een heel ander geluid ontstond hierdoor. Het rijmen kreeg een naam: MCing, dit staat voor Master of Ceremony. Het DJ-en beviel Kool Herc wel en hij liet het rappen totaal over aan Coke Ja Rock en Clark Kent. Het eerste rapteam was geboren en ze kregen de naam: Kool Herc and the Herculoids. Kool Herc was de grondlegger van de rapmuziek, maar hij was niet de uitvinder van het scratchen. Hierbij wordt een plaat in de tegengestelde richting gedraaid en dit geeft een typisch krassend geluid wat veel wordt gebruikt in de rapmuziek. Het verhaal gaat dat Grand Wizard Theodore het scratchen per ongeluk heeft uitgevonden. Toen zijn moeder hem riep dat de muziek te hard stond, hield hij de draaiende plaat tegen en hierbij hoorde hij het scratchende geluid dat de plaat maake Evolutie van hiphop Sugarhill gang RUN DMC heeft ook nog een twee primeur op zijn naam staan, ze waren de eerste die samen een song componeerde met een rockgroep, aerosmith. Dit nummer is vrij bekend: walk this way. Hierna ging het snel met de rapmuziek, sterren volgden elkaar op en eind jaren 80 kwam er een nieuwe stijl op de markt. Het geluid was minder ruw en er werd gebruikt gemaakt van samples. Een sampler is een apparaat waarmee een stukje muziek zoals een baslijn of een drumritme apart kan worden opgenomen. In die tijd ontstonden er ook copyrights. Artiesten klaagden andere artiesten aan omdat er stukjes van hun muziek werden gebruikt. Begin jaren 90 word door velen het creatief hoogtepunt genoemd. Er ontstaan veel nieuwe groepen met een nieuwe sound. Hierbij gebruikten ze veel samples uit oude soul-, funk-, en jazzplaten, dit gaf hun producties een rustiger en artistieker geluid. Tegenwoordig is de rapmuziek een muzieksoort waarin miljarden dollars per jaar worden omgezet. Er valt veel geld te verdienen in deze industrie en daarom proberen veel nieuwe artiesten door te breken! Tegenwoordig worden veel stijlen gemixt, zoals Rap met RB of heavy metal. Sommigen vinden dat dit ten koste gaat van de muziek, omdat zij de muzieksoort liever underground houden en vinden dat de huidige hiphopcultuur niks meer te maken heeft met graffiti en breakdance. Anderen zien in de huidige en nieuwe rapmuziek een nieuwe commercià «le muziekstroming die gewoon lekker in het gehoor ligt. Waarden en normen van hiphop vroeger Orgineel is hiphop begonnen als een underground sfeer die altijd moest opboksen tegen het onbegrip van de media. Hiphoppers waren in die tijd zeer op zichzelf aangewezen. Hierdoor was het voor buitenstaanders in die tijd heel moeilijk om de hiphoppers te begrijpen. De hiphop werd praktisch door elke radiostation geweigerd en dit zorgde voor een bang tussen de hiphoppers onderling. Hiphop bevat ook altijd een boodschap, deze was meestal niet al te kleurrijk want het schetste meestal een beeld van de uitzichtloze toestand waarin de mensen in de zwarte gettos in leefden. Orginaliteit is ook een belangrijk element in de hiphop, je kan bepaalde elementen overnemen van andere artiesten, maar zorg ervoor dat je altijd je eigen stijl eraan toevoegd. Waarden en normen van hiphop nu Hiphop heeft een enorme opmars gemaakt, dankzij de commercià «le wereld is hiphop groot geworden. Hiphop werd vroeger genegeerd, maar tegenwoordig is het niet meer weg te denken uit de hitlijsten. Dit is wel ten koste gegaan van de oorspronkelijke waarden die de hiphop zo interessant maakten. De orginele band die hiphoppers met elkaar hadden, heeft plaatst moeten maken voor geld. Hiphoppers passen zich tegenwoordig vaak aan aan de consument. De oorspronkelijke waarden hebben moeten wijken voor het geld. Maatschappij In de hiphop van nu hoor je niets meer van de oorspronkelijke waarden. De teksten zijn in tegenstelling tot de eerdere hiphop inhoudsloos en de deuntjes zijn troef. Orginele nummers worden niet meer gedraaid want alles gaat op kijk- en/of luistercijfers en niet op echtheid. De nummers die duidelijke maatschappelijke meningen of zwarte statement bevatten worden achterwege gelaten, terwijl dit de hoofdwaarde van de hiphop is. Uiterlijke kenmerken van hiphop Gedrag In de hiphop draait het vooral om respect. Niet alleen respect voor jezelf, maar ook voor anderen. Dit krijg je door je skills, goed rappen of dansen, gewaagde graffiti te maken, veel van je muziek te weten of de juiste kleding te dragen. Maar ook je houding is erg belangrijk. Cool zijn, echt zijn, rustig blijven en stoer doen. Hiphop draait om originaliteit, je mag best dingen kopià «ren, maar dan moet je je eigen draai eraan geven. Je moet jouw manier van denken en verwerken in je muziek, graffiti, breakdance of iets anders. Je moet je eigen ding doen en geen kopie zijn van een ander. Het spelen met woorden, het anders dan anderen zijn. Een hiphopper is maatschappijkritisch hij heeft respect voor anderen, maar hij maakt zich niet zo druk over wat anderen van hem denken. De allereerste hiphoppers waren heel clean. Drugsgebruik en sigaretten waren taboe onder breakdancers. Maar hiphop komt van de straat en drugs raken vooral de jaren negentig snel geÃÆ' ¯ntegreerd in de scà ¨ne. Veel hiphoppers gaan blowen en drinken alcohol. Voor veel jongeren is de hiphop een leerschool. Door hiphop ontwikkelen ze hun eigen identiteit en krijgen ze zelfvertrouwen. Hiphop geeft je de ruimte jezelf te ontdekken. Wie je bent, wat je voelt, maakt niet uit. Hiphop gebruikt wijsheden, over het leven, over de maatschappij. Het ideaal van veel hiphoppers is om van hun hiphopactiviteiten te kunnen leven. Die activiteiten kosten vaak veel tijd en energie waardoor niet zelden school en werk op een tweede plaats komen te staan. Religie Religie neemt geen bijzondere plek in binnen hiphop. Een bescheiden aantal rappers draagt wel een religieuze boodschap uit, maar het komt vaker voor dat een spirituele, oosterse denkwijze in de teksten verweven zit. Taalgebruik en muziek Hiphop is een levensstijl, een sub- en straatcultuur waarbij rap de taal van de straat is. Hiphoppers en rappers gaan creatief met taal om. Rappers, DJs en producers bedenken bijnamen en hiphoppers creà «ren met een mix van Amerikaans en Nederlands taalgebruik hun eigen ding. Hiphop word ook gekenmerkt door de grote hoeveelheid woorden die in een nummer zit. Dit heeft ervoor gezorgd dat de inhoud van raps in de media terechtkwamen. Daarbij ging het om de opschepperij over zichzelf, of bijvoorbeeld door de schockerende teksten die op de platen te horen was. Hiphop gaat nog steeds vaak over woede, vergeldig, het zware leven, seks, relaties en de samenleving. Kleding Vanaf de begin jaren 80 dragen hiphoppers al sportschoenen, honkbalpetter, trainingsbroeken in felgekleurde stoffen met de bijbehorende kettingen. Hierbij is de hophopcultuur de eerste jongerencultuur die het traingspak omarmt. Als hiphop na 1985 aan terrein wint, verandert ook de hiphopmode. De glimmende, kleurige trainingspakken maken geleidelijk plaats voor strakke spijkerbroeken, leren baseballjacks, sweaters met capuchon, sportschoenen van Adidas en baseballpetten. Begin jaren negentig dragen hiphoppers wijde broeken, houthakkersblouses, T-shirts, sweaters met capuchon en sportschoenen. Ook dunne en dikke bodywarmers zijn populair. Nadat de hiphopscà ¨ne begin jaren negentig een vermainstreaming ondergaat, raakt het uiterlijke vertoon van luxe artikelen in een opmars. In clips voeren regelmatig grote autos, geld, dure merkkleding en gouden kettingen de boventoon. Rappers hebben iets bereikt en willen dat laten zien. Veel hiphoppers gaan van authentieke straatkleding over op het dragen van steeds duurdere merken. Veel rappers hebben tegenwoordig hun eigen kledingmerk. Inmiddels zijn de wijde oversized broek, (sport)schoenen (Nike, Adidas, Timbaland), T-shirts, sweaters met capuchon en een baseballpet in trek. De kleding is dus over het algemeen oversized, gemakkelijk zittend en veel bewegingsruimte toelatend. Het kapsel is over het algemeen kort. Kapsels die populair zijn, zijn onder andere dreadlocks en grote krullen. Voor meisjes was het ook populair om gekleurde plukken in hun haar te doen en hun haar te ontkroesen Doordat hiphop in de loop der jaren is veranderd en aan populariteit heeft gewonnen, is ook de kledingstijl veranderd. De gedachte dat je origineler moet zijn dan de ander maakt dat tevens de kledingstijl regelmatig veranderd. Kleding is om op te vallen, het kopià «ren van een stijl is fout binnen hiphop. Het gaat om het ontwikkelen van je eigen stijl en identiteit. De basis van hiphopkleding is om rebellie en being different uit te drukken. Instrumenten De instrumenten die werden gebruikt in de hiphop waren vooral de draaitafel, de drumcomputer en samples. Maar het allerbelangrijkst, vooral in de vroegere hiphop was dat je muziek kon maken zonder instrumenten. Met meerdere mensen kon je een hele goede beat maken. De een beatboxde, de andere deed aparte beatjes erbij, weer een andere deed de bas met zijn stem en de ander rapte. 4 onderdelen van de hiphop 1. DJ Turntablism Turntablism vat alles samen wat met turntables (draaitafels) te maken heeft. De turntablist (dj) maakt gebruik van twee turntables en probeert daar het maximale uit te halen aan geluiden, ritmes en beats. Alhoewel djs oorspronkelijk alleen de MCs begeleidden zijn er ook veel djs die zich alleen bezig houden met het creà «ren van de instrumentale vorm van rapmuziek. Er worden jaarlijks grote battles (wedstrijden) gehouden waarin de djs met de beste skills worden gekozen. De meest toonaangevende toernooien zijn de ITF (International Turntable Federation) en DMC battles waaraan djs uit de hele wereld deelnemen. De meeste Turntablists maken deel uit van collectieven. Enkele bekende collectieven zijn: X-ecutioners, The Allies, Beat Junkies, 5th Platoon en The invisble Skratch Piklz. Enkele termen zijn: Beat juggling Hierbij wordt een continu ritme gecreà «erd door de beats van twee verschillende platen af te wisselen. De snelheid kan aangepast worden waardoor een nieuwe beat ontstaat. Het handmatig op en neer draaien van een plaat waardoor een scratchend krassend geluid ontstaat. Er zijn met het mengpaneel verschillende geluidseffecten te maken terwijl wordt gescratched. In Turntable battles is het de kunst zo origineel mogelijk te zijn in het creà «ren van nieuwe geluiden, ritmes en effecten. Een jury bepaalt wie de winnaar is. De jongste winnaar van alle toonaangevende battles Is DJ A-Trak uit Canada. Op zijn vijftiende won hij zijn eerste wereldtitel. A-Trak zat toen nog gewoon op de middelbare school en versloeg alle turntable-grootheden. Tegenwoordig zit hij bij The Allies en is nog steeds een van de beste Turntablists. Dat mag ook wel, hij oefent zon 4 a 5 uur per dag. 2. Graffiti. Sinds het begin der tijden hebben mensen op muren geschilderd. De Neanderthaler deed het de Egyptenaren deden het, de Romeinen deden het enzovoort. In WOII werd er veel gekalkt, het was een vorm van verzet en daarom ook levensgevaarlijk. Na de oorlog werd er minder op de muren geschreven. In de jaren 50 bakende Amerikaanse jongerenbendes hun territorium af met op de muren gekalkte merktekens te zetten. In de jaren 60 werd het mode zijn politieke keuzes op allerlei gebouwen te zetten. Groepen jongeren wilden de maatschappij duidelijk maken dat opvattingen en verhoudingen aan vernieuwing en verandering toe waren. Dankzij de technische ontwikkeling werden er naast krijt ook spuitbussen en viltstiften gebruikt. Graffiti is à ©Ãƒ ©n van de 4 pijlers van de hiphopbeweging en het verspreide zich samen met de hiphop over de hele wereld. Maar jammer genoeg is niet alle graffiti legaal, hier en daar komen er legale zones waar de graffitispuiters hun gang kunnen gaan, maar op de meeste plaatsen blijft graffiti nog illegaal. Zo is er een nieuw graffitibeleid aangekondigd, zodat de daders voortaan op gevangenisstraffen kunnen rekenen. Ondanks alles groei de acceptatie van de kunstvorm. Steeds meer mensen komen tot de conclusie dat graffiti niet alleen maar ongecontroleerd kladwerk is. De meeste houden er na een vrij korte tijd mee op, niet zelden na een dure ervaring met het gerecht. Diegenen die het wel volhouden en het nodige talent hebben, ontwikkelen een eigen stijl en maken na verloop van tijd werken die het bekijken waard zijn. Rizon uit Antwerpen is zo iemand, hij staat bekend om zijn spectaculaire 3D-werken. Andere termen van GRAFFITI BALLONLETTERS: dit zijn letters waar geen hoeken aan zitten en dus door ronde vormen zijn opgebouwd OUTLINEN: de letters of de tekening terug omlijnen HIGHLIGHTS: een soort glans die je ziet als je het werk van ver bekijkt TOY: beginner WRITER: artiest KING: volleerde spuiter Redenen voor GRAFFITI soms alleen maar uit verveling om de kick, het opwindende gevoel iets te doen dat niet mag, omdat het illegaal is omdat de kunstwerken in het openbaar gemaakt worden, hierdoor krijg je bekendheid om het straatbeeld of stadsbeeld te veranderen, vrolijker, kleuriger en minder saai TAG: de naam of het herkenningsteken van een graffitispuiter, men noemt het ook wel een gestileerde handtekening. Het bestaat ui een met kleur gespoten woord, naam, figuurtje, of soms zelfs alleen maar een letter, het dient als herkenningspunt voor de andere spuiters of voor diegene die hem kenen. Het is bijna altijd een schuilnaam, dit zet je meestal onder een kunstwerk. THROW UP: dit is een word of een simpele tekening. Het is meestal met 2, soms 3 kleuren gespoten, deze soort werd ontwikkeld doordat graffiti verboden werd. De graffitispuiters moesten sneller werken en konden dus niet meer als 2 of 3 kleuren veroorloven STAMP: dit is een geà «volueerde vorm van de throw up. Deze stijl maakt gebruik van letters die een driedimensionaal effect veroorzaken. Dit kan d.m.v. schaduwen of lichtere kleuren lijntjes binnen het werk. Deze vorm maakt meestal gebruik van 3 of 4 kleuren PIECE: dit is meestal een groot geheel en er is de tijd voor genomen. Alles wordt hierin erg goed uitgewerkt en er wordt met veel kleuren gewerkt. Er wordt gebruik gemaakt van een omlijning, schaduw en dergelijke. Er is een ongeschreven graffitiwet dat je nooit over een ander piece heen mag spuiten. 3. Breakdance Breakdance wordt in de VanDale beschreven als acrobatische danse waarbij de danser zich ook liggend en draaiend op de grond beweegt. Ik vind dit persoonlijk een vrij eenvoudige beschrijving van breakdance, want in werkelijkheid is het veel meer. Ik denk niet dat het alleen een manier van dansen is, maar vooral een manier van jongeren om zich te uiten. Breakdance wordt ook vaak gebruikt om met en tegen elkaar te dansen. Afkomst Breakdance is ontstaan in Amerika, breakdance is ingevoerd door Afro-Amerikanen die het oorspronkelijk als een tijdverdrijf toepasten. Daarom zijn de eerste bekende breakdancers bijna allemaal zwarte Amerikanen. Breakdance heeft allerlei bewegingen overgenomen uit de traditionele Afrikaanse dans, de Braziliaanse vechtsport en de Chinese vechtsporten ook capoiera genoemd. Breakdance is de lichaamstaal van het hiphoppen, daarbij is het een mix van grond-, vechtsport-, acrobatische en dansbewegingen. Onderdelen breakdance: Powermoves. Dit zijn snelle acrobatische bewegingen die vrij veel kracht vereisen. Voorbeelden hiervan zijn de spins. Headspin(zie rechts), backspin, kneespin, hierbij draai je snel rond op je hoofd, rug of knieà «n. Deze bewegingen zijn het belangrijkste onderdeel van breakdance, het is dus belangrijke dat je deze goed onder de knie hebt. Electrics. Deze kun je weer verdelen in 2 onderdelen. Je kunt mensen de illusie laten wekken dat je heel soepel bent, het lijkt dan net of je geen botten hebt. Een ander onderdeel is dat je heel schokkerig beweegt, je probeert het zelfde effect te creà «ren als bij een robot.   Freezes. Dit zijn stilstaande moves, waarbij je in een keer stilstaat in een powermover. Het is pas een freeze als je langer dan 2 seconden stilstaat. Battles. Als 2 breakdancers tegen elkaar gaan dansen dan spreekt men van een battle. Daarbij probeert men elkaar steeds te overtreffen en wie de moeilijkste moves kan vertonen wint de battle. Battles gebeuren vooral in groep, dan gaan 2 groepen tegenover elkaar staan en gaan alle leden zo moeilijk mogelijke moves laten zien om zo de andere groep te overtreffen. Maar dikwijls hangt het niet alleen af van de moves want het publiek beslist wie de battle wint. Dus de groep die het publiek het beste kan entertainen wint meestal de battle ongeacht of ze nu de beste moves hebben vertoont. Daarom proberen de groepen elkaar te imponeren door te bluffen en verbaal geweld te gebruiken. Er worden in verschillende landen heel veel grote battles georganiseerd zoals battle of the Benelux of freestyle sessions in Amerika. Elk jaar wordt er in Duitsland ook het onofficià «le wereldkampioenschap gehouden dit evenement noemt the battle of the year. 4. Rappen Rappen is 1 van de vier belangrijkste elementen van de hiphopcultuur, naast DJ-en, graffiti en breakdance. Rappen wordt ook wel MCen genoemd en is een vorm van rijmend praten en zingen. De letterlijke vertaling van rappen is slap auwehoeren of er uit flappen. Meestal gebeurt het rappen in samenwerking met een dj die via zijn draaitafels (turntables) voor een beat zorgt. MC staat voor Master of ceremony in de hip hop,de rol van de MC is de platen van de DJ aan elkaar te praten door te rappen.De beste MCs zijn degenen die razendsnel een tekst kunnen improviseren. Er worden MC-battles (wedstrijden) gehouden, waarbij het de bedoeling is dat twee MCs elkaar verbaal proberen in te maken. De MCer gebruikt meestal de hulp van de human beatboxer dat letterlijk staat voor menselijke drummachine. Beatboxers doen met hun mond een drummachine na en maken zo een ritme waarop de rapper kan rappen. Sommige zien beatboxers als het vijfde element van de hip hop. Dankzij de human beatboxer heeft de rapper geen dure apparatuur nodig en kan hij zonder problemen op elke hoek van de straat een show opvoeren. Nawoord Ik vond het heel interessant om dit werkstuk over hiphop te doen. Ik ben dingen tegengekomen die ik niet wist. Interessante dingen over bijvoorbeeld het breakdancen en hoe de hiphop is ontstaan. Ik vind het een mooie stijl, persoonlijk hou ik meer van de oudere hiphop omdat daar meer diepgang in zit. Het feit dat de rappers het daar hebben over het moeilijke leven en hoe ze zich wouden afzetten tegen de maatschappij spreekt mij erg aan. Ik vind het erg jammer dat de hiphop de laatste jaren om geld, vrouwen en status gaat. De oudere hiphop was veel puurder. 2

Universities of the Future :: Technology Education

Universities of the Future Universities progress as technology advances. A vision of Universities of the future is only possible with a vision of the technology of the future. With the current pace of technological growth it is almost impossible to imagine what is in store for the future of the university. It is exciting to think of what State U. will become in both the near and distant future. Laptops, wired classrooms, and technologically enriched curriculums are only the beginning. As visions of State U's future develop, dreams of newly renovated classrooms, dorms, and offices materialize. However, newer looking buildings are only pleasing to the eyes. What will make these new classrooms, dorms, and offices key to the development of a more powerful mind are computers, machines, and other new innovations. Instead of a mere few, all classrooms will be â€Å"wired,† and all students will have access to the new learning opportunities, which are brought forth with computers in the classrooms. New machines will create better security systems for a safer learning environment. Advancements in cameras may make it possible for students to meet with professors face to face with out ever leaving their dorm room. Considering how far Clemson has come in the past few years, it is almost overwhelming to imagine what may be in its future. With these new and exciting advancements it will be exciting to see how the new classrooms, new dorms, and new offices will affect the progress of Clemson students. The country seems to be split on the issue of how technology is affecting student progress. Are these advancements a hindrance or a blessing? Well, like all gifts, technology can be used for good and for evil. In an age where students can use buttons to do everything from translating French papers to calculating complex math equations it is important not to loose sight of the need to learn the basics. Many people feel that this â€Å"button-pushing† era will take away from learning rather than add to it. But who has the right to stop progress? In the eighteen hundreds, John Henry Newman wanted to stop the progression of liberal arts colleges by preventing the creation of what is today considered a â€Å"major.† He felt that this separation of the university would take away from overall learning (Newman).

Girl Interrupted Essay -- essays research papers

GIRL, INTERRUPTED by Susanna Kaysen (New York: Turtle Bay Books, 1993) 1. Author: Susanna Kayson was born in Cambridge, Massachusetts in 1948 where she still lives. She is the author of books which are in some parts related to her personal experiences. She worked as a free-lance editor and proof reader until an introduction to an agent set her career in motion. Her novels: The novel that caught the agent's attention, Asa, As I Knew Him, was published in 1987 and people were very interested in it. Kaysen followed up the success of her first book three years later with her second novel, Far Afield. Kaysen's third and as far as I know last book, Girl, Interrupted has been hugely acclaimed in America and Britain. 2. Subject of the book: The book is an autobiography . It ´s about her memories of her two-year stay at McLean ´s psychiatric hospital, where she was treated for depression and Borderline Personality. With the help of a lawyer she obtained her 350 page file from the hospital. 3. Setting†¦: The story is set in the years 1967 to 1969. Mostly it takes place on the ward for teenage girls in the McLean psychiatric hospital in Belmont, Massachusetts, which is known for its famous clients – Sylvia Plath, Robert Lowell, James Taylor, Anne Sexton and Ray Charles. 4. Characters: Susanna Kaysen(main character): She is an 18-year-old girl, and the story is, since it is an autobiography told from her point of view. What was going wrong with her life? She tells us she decided s...

The English Patient Essay -- Film Movie Movies English Patient

Count Lazlo Almasy, the English Patient, is a man in an Imperial time and world. The people in this world live by Imperial rules and perpetuate Imperial stereotypes. The film takes place in World War II era Africa, and as the film portrays it, in the mysterious and exotic Sahara desert and in Cairo, Egypt. Count Almasy’s character lives in the desert among imperial explorers and in the desert environment full of natives who bring to life classic stereotypes full of ignorance and white prevalence and power. Ella Shohat and Robert Stam, authors of Unthinking Eurocentrism, believe that the Imperial attitudes that the British government and the Western imperial society initiated, continue today and are alive in the cinema. The film, â€Å"The English Patient† is a key example of Imperial influence on cinema with the exception of one character: Count Almasy. On the surface, Almasy seems to be just like those around him, but when one looks deeper, his characteristics show tha t he is in fact an anti-imperial. Almasy’s character invites the viewer to identify with his seeming quest for adventure and then reveals qualities that then revise the colonial stereotypes that he seemed to personify previously. In the chapter â€Å"Imperial Imaginary† by Shohat and Stam, the authors discuss the idea that the perfect imperial subject is the adolescent male because of his vulnerability and hunger for adventure (101). The nature of imperialism is one of power and control. To teach a man to be an imperial one must teach him to love adventure. According to the authors, the empire by its very nature is the man’s plaything and that â€Å"boys [can] play in the space of an empire† (101). It gives them the freedom and creativity to explore and through cinema... ...at, unpredictable weather, and the general exoticism of the Sahara, Almasy is the odd light in the dark of the â€Å"Imperial Imaginary†. According to Stam and Shohat’s definition of the imperial, Almasy fits into their image only on the surface. He believes in many things that are antithetical to that of the imperial,largely his feelings about borders, names, and maps. When one delves deeper into his personality and beliefs, it can be seen that he is in fact the anti-imperial amidst a plethora of imperial stereotypes. Works Cited Ondaatje, Michael. The English Patient. New York: Random House, Inc., 1992. Shohat, Ella, and Robert Stam. Unthinking Eurocentrism: Multiculturalism and theMedia. New York: Routledge, 1994. †The English Patient†. Dir. Anthony Minghella. Perf. Ralph Fiennes, Juliette Binoche, Willem Defoe, and Kristin Scott Thomas. Miramax, 1996.

American Square Dance

At one time, the square dance was omnipresent in rural America; but its golden age, if ever there was one, has passed. Today, it is noteworthy when a folklorist discovers a community with an unbroken tradition of square dancing, if only because it piques our interest as to why such practices endure in one place and not in another. Contemporary contexts for traditional square dance are, in fact, quite plentiful; but they persevere as isolated phenomena, largely hidden from the consciousness of the mainsream.The American square dance is the subject of a huge body of choreographic data, most of which was generated by dance educators and recreational specialists whose concerns lay apart from those of folklorists or ethnographers. Some of this descriptive material, especially some works published before World War II, are collections of regional repertoires and even, in a few cases, of localized traditions. Much of the dynamism of square dancing comes from turning motions, including rotati ons around a vertical axis and revolutions around the floor.In square dancing many rotations are energetic turns executed by two dancers together (not always opposite sex couples), but there are also more languid arcs circumscribed by enclosed circles of between three and eight dancers. In square dancing, women are often asked to make singular rotations or twirls, according to, on the one hand, traditional embellishments or, on the other hand, set variations taught by the local polka instructors. Most of the time, square dancers only step forward or stand in place.In a few instances, walking backward is called for, and a dancer will occasionally have to take a sideways step to the right or left. To accomplish this dizzying variety of spins and turns requires the manipulation of other parts of the body. The entire trunk is usually kept aligned with the line of gravity (and for all couple dances in general). It should also be noted that in the square dance walk, the dancer’s ce nter of gravity is moved slightly forward over the balls of the feet when compared to the ordinary walk.The kinesthetic sensation for the dancer is to feel as if his chest is leading the rest of his body. Arm movements in square dancing are important, but only in the context of reaching out to and grasping another dancer. The dancer reaches forward to join hands in one of three ways with another dancer, reaches to the side to hook elbows or put an arm around the waist of an adjacent dancer, or uses both hands or arms to grasp a dancer of the opposite sex in one of several stylized holds. These are known as the â€Å"swing† or â€Å"ballroom†, â€Å"courtesy turn† and â€Å"promenade† positions.Robert Bethke discusses square dancing in contemporary commercial or public settings in the Northeast, while offering very little movement data except to note the infrequency of square dances on the program in proportion to couple dances performed to popular or coun try music. What Bethke attends to is the dress and decorum of the dancers, their general age, the instrumental makeup of the band and the musical styles performed the participants’ levels of intoxication and the dancers’ incompetence relative to the past.Bethke goes into great detail on the repartee between the band leader and the audience, providing texts of some of the leader’s jokes. The inquiry on the history of square dance was first motivated in 1977 by the puzzle of why the German community around Hoagland took as its own an Anglo-American dance form. The cultural choices a folk group makes are historically conditioned. In the year previous to the first appearance of The English Dancing Master, the English and the Dutch had agreed on the borders of their North American colonies.Besides the Confederation of New England to the north and New Amsterdam in the Hudson Valley, the New World also had settlements of Swedes on the Delaware River and growing English colonies in Maryland and Virginia. In another thirty years, the first German immigrants would arrive, and, as the French consolidated their hold on the West, the first European settlement would be established at the headwaters of the Maumee River, near the Miami Indian village of Kekionga, the present site of Fort Wayne, Indiana.In the mid-eighteenth century, when the longways English country dance form was firmly established as the most popular form in European ballrooms, English emigration to the thirteen American colonies was in full sway. Along with the immigrants, and as a part of the continuing trade with the mother country, came terpsichorean skills, repertoire and paraphernalia. Not even the American Revolution disrupted these choreographic connections. Square dancing became a vital activity in nearly every rural nook and cranny through the first half of the twentieth century.In 1926, Henry Ford published â€Å"Good Morning†: After a Sleep of Twenty-five Years, Old-f ashioned is Being Revived, adding to a growing revival of interest in square dancing and other related forms of traditional American dance. In the twenties in New England, with an assist from the open air museum at Old Sturbridge, there was a growing awareness of that region’s vital and unique repertoire of country dances or contras (as cited by Tolman and Page).Indeed, Grace Ryan, a physical education instructor at Michigan’s Central State Teachers College, pioneered with an instructional manual on Dances of Our Pioneers, featuring the â€Å"quadrilles or square dances† which she collected at community dances and from local callers (Ryan). These efforts helped spark a square dance boom that was well underway in the late thirties when Lloyd Shaw, a Colorado high school principal, began to collect western figures that he taught to his students in place of the international folk dances promoted by other educators.Shaw’s performing square dancers from the Ch eyenne Mountain School garnered a great deal of renown for their exhibitions; and Shaw’s fame spread farther when he published these figures in 1939 in Cowboy Dances, an oft-reprinted volume. Besides the considerable impact wielded by his clear representation of seventy-plus figures, Shaw also sketched for Americans his view of the path traveled by this widespread variegated dance form: that the western square dance, one of three regional types, derived from an intermingling of the New England Quadrille and the running set from the southern highlands.Due to the prevalence of visiting couple figures in both the southeastern and western traditions, Shaw asserted that â€Å"the mainstream, I believe, heads in the Kentucky Mountains† (Shaw 27-31). This became the standard account of square dance history that would preface a multitude of instruction manuals published in the forties and fifties. Shaw was not alone, in those early days of the revival, in granting special stat us to the Southeastern square dance. J. Olcutt Sanders prepared a â€Å"Finding List of Southeastern Square Dance Figures† in 1942.He regarded the Southeastern square dance as a separate genre, referring to it variously as â€Å"the running set† and â€Å"the big set†, which could be characterized on the basis of internal evidence (Sanders 266). A decade later Elizabeth Burchenal extended this interpretation by crediting the supposed isolation of the southern highlands for the development of â€Å"our most indigenous dances,† including figures which â€Å"cannot be identified as transplantations† (Burchenal 20). By contrast, the Northeastern square dance, also called the New England quadrille, smacked of Gesunkenes Kulturgut.This was a cultural form that had trickled down to the folk from the cotillions and quadrilles of polite society in Europe and America in the eighteenth and nineteenth centuries. Then, as the twentieth century dawned, the Weste rn square dance emerged as a composite of movements and calls from both the Southeastern and Northeastern traditions blended with newly invented figures. Springing from America’s pervasive frontier experience, the Western idiom embodied the traits of practicality and inventiveness that historian Turner offered as keys to the American character (Turner 61).Thus the Western square dance was too new and too recreational to be regarded by folklorists as a survival of the archaic rituals hypothesized as the ultimate source of folk dance. The social symbolism school of interpretation takes in a much narrower scope, focusing on the local community rather than on national culture. David Winslow (1972) argued that the square dance is a set of â€Å"highly ritualized behavior patterns and mental processes† that help maintain social solidarity.Drawing heavily on sociologist Emile Durkheim, Winslow showed that the square dance served three social functions: (1) a cohesive function that imparts a group consciousness or sense of community, (2) a revitalizing function that â€Å"helps the group to renew the sentiment it has of itself and of its unity,† and (3) a euphoric function that provides â€Å"a pleasant feeling of social well-being† (Winslow 252-261). Not only the social interaction that takes place at a dance event, but also the square dance itself helps maintain and revitalize the interpersonal networks that constitute a rural community.For each category of the social structure represented at an event-couples, genders and the entire assembly, the â€Å"dancing behavior can be seen as expressive of the solidarity of that social unity. † The pervasive circle motif found at all structural levels of the square dance is a choreographic expression of the basic principles of equality of participation and social unity that are cultural ideals for this dancing. The basic square dance form found in New York, Pennsylvania and Hoagland, Indian a alike requires four couples for each square set. With each couple forming one side of the square.Each dance comprises two alternating parts: the break and a distinctive figure. In the break, a formulaic combination repeated from dance to dance, all eight dancers in the set participate simultaneously in equivalent and complementary roles: â€Å"circle left all eight,† â€Å"allemande left your corner,† â€Å"grand right and left around the ring,† and â€Å"meet your partner and promenade home. † The distinctive figure, unique to each discrete dance, is led by every couple in turn as they visit around the set and dance a series of formulaic moves with each of the other couples.At the end of each couple’s performance of the figure, and at the end of each repeat of the break, couples end up in their â€Å"home† or starting position. This structure, as it is danced in Pennsylvania, encapsulates well the comfortable fit between cultural form and social organization. Bert Feintuch discovered that the same basic form was used in domestic square dance events in south central Kentucky before the 1930s. According to his interpretative model, the stylized movements in the four-couple square dance affirmed both the pragmatic primacy of the couple in the dance and the symbolic primacy of the couple in the community.Thus he concluded that neighbors â€Å"symbolically acted out their norms of community† through dances â€Å"in which couples were the basic unit and their social networks – their neighborhoods – were represented as a bound unit, the square† (Feintuch 65). Square dancing, which emphasizes equality and reciprocity, is a local tradition actively treasured by many. The square dance has a long history as the symbolic action of choice (a sign) strategically called on to encompass (an interpretant) the emergent community (an object). Works Cited: Bethke, Robert D. â€Å"Old-Time Fiddling and Socia l Dance in Central St. Lawrence County.† New York Folklore Quarterly 30 (1974): 163-83. Burchenal, Elizabeth. â€Å"Folk Dances of the United States: Regional Types and Origins. † International Folk Music Journal 3 (1951): 18-21. Damon, Stephen Foster. The History of Square Dancing. Barre, MA: American Antiquarian Society, 1955. Feintuch, Burt. â€Å"Dancing to the Music: Domestic Square Dances and Community in Southcentral Kentucky (1880-1940). † Journal of the Folklore Institute 18 (1981): 49-68. Jackson, Frederick. â€Å"The Significance of the Frontier in American History. † Frontier and Sectino: Selected Essays of Frederick Jackson Turner. Ed. Ray Allen Billington.Englewood Cliffs, NJ: Prentice-Hall, 1961. 37-62. Ryan, Grace L. Dances of Our Pioneers. New York: A. S. Barnes & Co. , 1926. Sanders, J. Olcutt. â€Å"Finding List of Southeastern Square Dance Figures. † Southern Folklore Quarterly 6 (1942): 263-75. Shaw, Lloyd. Cowboy Dances: A Coll ection of Western Square Dances. Caldwell, ID: Caxton Printers, 1939. Tolman, Beth, and Ralph Page. The Country Dance Book: The Best of the Early Contras and Squares. Brattleboro, VT: Stephen Greene Press, 1976. Winslow, David John. â€Å"The Rural Square Dance in the Northeastern United States: A Continuity of Tradition. † University of Pennsylvania, 1972.

Solve Gen Inc

drub Gen Inc. Background By Direct Drugs Inc. (Direct)s request, an Audit engagement team has come due diligence procedures, with an emphasis on the review of two separate secular agreements between SolvGen Inc. (SolvGen) , that Direct is planning to acquire, and C atomic number 18way Inc (Careway). archetypical agreement is a interrogation and ontogeny agreement , and second agreement is a license and dispersal agreement during the archetypical quarter of fiscal year 2010. What are the deliverables for the arrangement depict in the lineament study above?According to ASC 605-25-15-2, all(a) deliverables (that is, products, services, or rights to use assets) within contractually binding arrangements (whether written, oral, or implied, and hereinafter referred to as arrangements) in all industries under which a seller provide perform treble receipts-generating activities. In this case study, two deliverables are described (1) a five-year research and victimisation agree ment and (2) license and distribution agreement.Under the five-year research and education agreement, this case study described that SolvGen uses its best efforts to further develop proprietorship official document trunks that have been under development for justly 18 months and are evaluate to be expected to be flying for commercial-grade-grade launch in the near future. In case of license and distribution agreement, Careway will pay SolvGen for each proprietary instrument system as it is purchased by Careway. $ 1 billion of the exclusive dialogue retribution paid in celestial latitude 1, 2009 is spotd as cash in debit and unearned tax enhancement in reference point in 2009 because the agreement will start in 2010.SolvGen can gain any amount as revenue in computer address and as unearned revenue in credit utilize finished or percentage method until the end of agreement to score expenses incurred in 2010. $ 2 one thousand million of contract sign payment paid January 1, 2010 is also know any amount as revenue in credit and unearned revenue in credit using completed or percentage method to match expenses incurred in 2010. The commercial launch of instrument system reading 1-$ 5 million paid in March 31, 2010 upon commercial launch can be recognise as revenue in credit according to ASC 985-605-25-5 even if SolvGen do non deliver the instrument system.For the last two commercial launch of instrument system version 2 and 3- $ 5 million unpaid can be recognise as revenue in credit and account receivable in debit according to ASC 985-605-25-5 even if SolvGen do not deliver the instrument system. When should the milepost payment received to date by SolvGen be recognized as revenue? To recognize the milestone consideration in its integrality as revenue in the decimal point in which the milestone is achieved, the milestone will be substantive in its entirety. ASC 605-28-25) The milestone payments received to date by SolvGen for commercial launch of instrument system version 1 should be recognized as revenue because the commercial launch is agreeable with the condition that the milestone is substantive. A vendor recognizes deliverable consideration or unit of measurement of accounting consideration that is contingent upon the consummation of a substantive milestone in its entirety in the period in which the milestone is achieved (ASC 605-28-25).